This break area for the renowned Cinespace Studios, designed by Dana Tatge, is an absolute favorite of ours. The space features high-top tables, a well-appointed kitchen, and expansive open areas that make taking a break effortless—just a short walk down the hall from your office. Dana’s use of open space layouts throughout Cinespace encourages collaboration and creates an inviting atmosphere. Below are a couple of our favorite shots showcasing these thoughtful design elements. To see more of our work, please visit our website. www.normansizemore.com
Office Makeover by Dana Tatge:
Just a few shots of a smart, clean office makeover by interior designer Dana Tatge of Key Interiors. The outdated staggered desks, old metal filing cabinets, and worn tile floors have been completely transformed. Now, the space features a sleek, open office layout with wide-facing cubicles designed specifically for executive assistants, allowing for seamless collaboration and comfort.
Modern cabinets replace the bulky metal storage units, providing ample space for files and supplies while maintaining a streamlined look. The tired tile floors have been upgraded with beautiful carpeting that adds warmth and sophistication to the environment.
A brand-new office break area has been constructed with privacy doors, creating a quiet retreat within the workspace. This area includes a full kitchen with counters, cabinets, and comfortable seating, perfect for casual meetings or a relaxing break.
Some favorites from the project are showcased below, highlighting the thoughtful design and functional elegance throughout the office. To see more of our work, please visit our website. www.normansizemore.com
Commercial Interior by Debby Hill:
Flashing back to one of our favorite photoshoots for Debby Hill. This commercial office features an array of remarkable spaces that could inspire endless discussion. Here is the executive waiting area—an exceptional design that stands out as one of the best we've ever photographed. Its sophisticated styling and thoughtful details truly capture the essence of luxury and professionalism. Some favorites below. Thank you, Debby and Key Interiors, for the opportunity to showcase such an outstanding project. To see more of our work, please visit our website. www.normansizemore.com
Shooting for Leah:
We recently had the pleasure of photographing a master bath designed by Leah Bolger. Although the shoot was quick and Leah was adding some final touches, the space was already remarkable. The design is truly beautiful, combining luxury and functionality with elegance. Below are some of our favorite images showcasing the master bath’s refined details and sophisticated atmosphere. To see more of our work, please visit our website. www.normansizemore.com
Shot On Film: Jori:
ust one more from the film days. We had the pleasure of photographing Jori for her senior high school portraits. Our session took place outdoors in a historic park, where the warm autumn weather and layered outfit choices allowed us to capture a variety of beautiful looks.
The image was shot on a Leica M6 using a Summicron 50mm f/2 lens. For lighting, we used a Vivitar 285 flash mounted on a Vivitar flash bracket, perfectly complementing the natural light. The film chosen was Fuji Astia 100F, a color reversal slide film known for its rich and vibrant tones.
Jori approached the shoot with the confidence and poise of a seasoned professional model, making our job effortless. Here is one of our favorite images from the session, a timeless capture of a memorable day. To see more of our work, please visit our website. www.normansizemore.com
Shot On Film - Recording Artist Brenda Minor:
Back at our Plainfield Studio in 2000, we did a series of photo shoots for recording artist Brenda Minor. Brenda was cutting a new album and need a cover photo and some stills for promotional use. She worked hard and was very creative. This image was actually shot in the waiting area of our studio. Brenda wanted to sit down and rest a few minutes while I was in the studio setting up the lights for the next shoot. When I walked in to get her, she sat up to talk to me she leaned over on her hand. I had my camera in hand and asked her to smile. This was shot using a Minolta XE-7 and a Rokkor 50mm 1.4 lens wide open on Ilford Delta FP4 black and white film. The lighting was provided by one the lamp on an end table with a 60 watt indecent bulb.
By the way, this was the cover shot for the album. To see more of our work, please visit our website. www.normansizemore.com
Shot On FIlm - Gabby:
In 2004, during a studio photoshoot for makeup artist Antonette White, models Gabby and Dominica joined us for the session. While setting up the lighting, I asked Gabby to step into the frame so I could stop down the lens and check the light. I fired off this test shot while she was still positioned there. The shoot went smoothly, and we had plenty of fun throughout.
Gabby was photographed with a Minolta XE-7 using a Rokkor 50mm f/1.4 prime lens. The lighting setup included Photogenic Machine Studio Master II strobes through a 36” Photoflex softbox, complemented by a Larson 24” softbox acting as a kick light. We used Fuji Astia F100 color reversal slide film for its rich, vibrant color rendition. The final image was scanned with a Minolta DiMage 5400 dedicated film scanner.
The shot captures Gabby beautifully. To see more of our work, please visit our website. www.normansizemore.com