Often times, as Architectural Photographers, we will get an assignment to photograph the ordinary. Still, we want the compositions to be clean and interesting for the client. Such is the case with this Chicagoland Public Storage, which was photographed for the builder. Below are some favorites.
To see more of our work, please visit our website. www.normansizemore.com
Here are a few from a favorite shoot of ours from a few years back. These are shots that we actually didn’t use, but are too good to not to share. For those interested, they were shot with a Sony A850, using a 20mm Rokkor lens, with lens correction software. To see more of our work, please visit our website. www.normansizemore.com
In a flashback mood today, we are spotlighting a contemporary master suite by Benvenuti and Stein. This space was so unique for a master suite, curved walls, back lit stone, it’s has a very gallery appeal to it. Too hard to pick my favorites. Here is the shoot.
To see more of our work, please visit our website. www.normansizemore.com
We came across some old film scans a while back and thought we would share these in our ‘Shot on Film’ series. This is Chris, in our studio back in 2002. We did several sets with Chris. She was wonderful to work with. Chris actually worked in a photo studio, and had definite ideas about the various looks she was going for. Here are actually three tests shots, that are among my favorites. Studio lighting was by Photogenic Machine Studio Master Its, shot through a Larson soft box and into a 48” reflector.
The color film was Fuji G, and the black and white was Kodak T-Max. All the shots were done using a Minolta X570 with a Rokkor 50mm 1.7 lens. This film was scanned using a Minolta DiMage 5400 dedicated film scanner.
To see more of our work, please visit our website. www.normansizemore.com
It takes a special builder to construct a ‘home.’ That’s what the resident of this Northern Illinois house told me as we set up to photograph the exterior. Orren Pickell built the house years ago, and it has since become a true home for the family, their children, and grandchildren. Over time, as the family’s needs evolved, the home was expanded. Yet, true to the craft of an outstanding builder, you would never know additions had been made—the seamless quality is remarkable.
Nestled in a secluded, private neighborhood, the house is surrounded by lush plants and towering trees, creating a serene backdrop. Our primary focus during the shoot was the walkway, deck area, and the four seasons room—spaces that beautifully blend indoor comfort with the outdoors.
Here are some favorite images from the shoot that capture the timeless elegance and intimate feel of this exceptional home.
To see more of our work, please visit our website. www.normansizemore.com
This break area for the renowned Cinespace Studios, designed by Dana Tatge, is an absolute favorite of ours. The space features high-top tables, a well-appointed kitchen, and expansive open areas that make taking a break effortless—just a short walk down the hall from your office. Dana’s use of open space layouts throughout Cinespace encourages collaboration and creates an inviting atmosphere. Below are a couple of our favorite shots showcasing these thoughtful design elements. To see more of our work, please visit our website. www.normansizemore.com
Just a few shots of a smart, clean office makeover by interior designer Dana Tatge of Key Interiors. The outdated staggered desks, old metal filing cabinets, and worn tile floors have been completely transformed. Now, the space features a sleek, open office layout with wide-facing cubicles designed specifically for executive assistants, allowing for seamless collaboration and comfort.
Modern cabinets replace the bulky metal storage units, providing ample space for files and supplies while maintaining a streamlined look. The tired tile floors have been upgraded with beautiful carpeting that adds warmth and sophistication to the environment.
A brand-new office break area has been constructed with privacy doors, creating a quiet retreat within the workspace. This area includes a full kitchen with counters, cabinets, and comfortable seating, perfect for casual meetings or a relaxing break.
Some favorites from the project are showcased below, highlighting the thoughtful design and functional elegance throughout the office. To see more of our work, please visit our website. www.normansizemore.com
Flashing back to one of our favorite photoshoots for Debby Hill. This commercial office features an array of remarkable spaces that could inspire endless discussion. Here is the executive waiting area—an exceptional design that stands out as one of the best we've ever photographed. Its sophisticated styling and thoughtful details truly capture the essence of luxury and professionalism. Some favorites below. Thank you, Debby and Key Interiors, for the opportunity to showcase such an outstanding project. To see more of our work, please visit our website. www.normansizemore.com
We recently had the pleasure of photographing a master bath designed by Leah Bolger. Although the shoot was quick and Leah was adding some final touches, the space was already remarkable. The design is truly beautiful, combining luxury and functionality with elegance. Below are some of our favorite images showcasing the master bath’s refined details and sophisticated atmosphere. To see more of our work, please visit our website. www.normansizemore.com
ust one more from the film days. We had the pleasure of photographing Jori for her senior high school portraits. Our session took place outdoors in a historic park, where the warm autumn weather and layered outfit choices allowed us to capture a variety of beautiful looks.
The image was shot on a Leica M6 using a Summicron 50mm f/2 lens. For lighting, we used a Vivitar 285 flash mounted on a Vivitar flash bracket, perfectly complementing the natural light. The film chosen was Fuji Astia 100F, a color reversal slide film known for its rich and vibrant tones.
Jori approached the shoot with the confidence and poise of a seasoned professional model, making our job effortless. Here is one of our favorite images from the session, a timeless capture of a memorable day. To see more of our work, please visit our website. www.normansizemore.com
Back at our Plainfield Studio in 2000, we did a series of photo shoots for recording artist Brenda Minor. Brenda was cutting a new album and need a cover photo and some stills for promotional use. She worked hard and was very creative. This image was actually shot in the waiting area of our studio. Brenda wanted to sit down and rest a few minutes while I was in the studio setting up the lights for the next shoot. When I walked in to get her, she sat up to talk to me she leaned over on her hand. I had my camera in hand and asked her to smile. This was shot using a Minolta XE-7 and a Rokkor 50mm 1.4 lens wide open on Ilford Delta FP4 black and white film. The lighting was provided by one the lamp on an end table with a 60 watt incandescent bulb.
By the way, this was the cover shot for the album. To see more of our work, please visit our website. www.normansizemore.com
In 2004, during a studio photoshoot for makeup artist Antonette White, models Gabby and Dominica joined us for the session. While setting up the lighting, I asked Gabby to step into the frame so I could stop down the lens and check the light. I fired off this test shot while she was still positioned there. The shoot went smoothly, and we had plenty of fun throughout.
Gabby was photographed with a Minolta XE-7 using a Rokkor 50mm f/1.4 prime lens. The lighting setup included Photogenic Machine Studio Master II strobes through a 36” Photoflex softbox, complemented by a Larson 24” softbox acting as a kick light. We used Fuji Astia F100 color reversal slide film for its rich, vibrant color rendition. The final image was scanned with a Minolta DiMage 5400 dedicated film scanner.
The shot captures Gabby beautifully. To see more of our work, please visit our website. www.normansizemore.com
