It’s been a long week! Wrapping up the day, we wanted to showcase this contemporary kitchen by Mobili Mobel. We have photographed several projects featuring their fine cabinetry, and superb ergonomics, and this one ranks among our favorites. Below are a few favorites from the shoot. To see more of our work, please visit our website. www.normansizemore.com
This stately Tudor home in Northern Illinois, featured this magnificent foyer. Created by fine hardwood panels, marble tile black and white floors, plaster walls, and a sweeping staircase. What a fine example of a beautifully restored home. More to come. To see more of our work, please visit our website. www.normansizemore.com
Quite often, the most compelling way to showcase exquisite architecture or interior design is not with an expansive room shot, but with a simple vertical image. A well-composed vertical crop focuses attention and strips away distraction and let materiality, proportion, texture, and craft speak clearly.
Why verticals work
Concentration of detail: Vertical framing invites the viewer to study the surfaces and finishes—wood grain, plaster texture, joinery, tile patterns—elements that can be lost in wider views.
Emotional intimacy: A close, vertical view can feel more personal—like a discovered moment—sparking curiosity about the rest of the space.
Versatility for editorial and social: Vertical images fit magazine covers, editorial spreads, and mobile-first platforms, making them useful both in print and for marketing.
In short, a simple vertical can be as powerful as an entire-room image. It intrigues, clarifies, and celebrates the finer points of design—often leaving the viewer wanting to see more.
To see more of our work, please visit our website. www.normansizemore.com
This dining room is one of our favorites. The high-gloss finish carries across every surface, reflecting light and elevating the room’s polished aesthetic. A magnificent chandelier anchors the space above a stately, handmade hardwood dining table, paired with matching wooden chairs upholstered in supple leather. An antique buffet topped with bespoke marble completes the furnishings and complements the striking window treatments. The result is a refined, cohesive space that reads as a true work of art. Interior by Lauren Coburn. To see more of our work, please visit our website. www.normansizemore.com
I really enjoyed photographing this newly constructed country home. The architect perfectly captured a back‑home, country feel — clean, sparse lines, a metal roof, a large stone fireplace and multiple rooflines that read like an old farmhouse with thoughtful additions. The exterior is charming and inviting.
Inside, you’re welcomed by a grand staircase and barn doors that open to a home office.. A relaxed family room flows into a spacious open kitchen with bar stools and a cozy breakfast nook. Large exposed wood beams throughout reinforce the rustic character, while a wallpapered parlor sitting room with painted horizontal slats suggests the layered history of an added-on space.
Below are some favorites from this project that highlight the home’s balance of refined detail and authentic country warmth. To see more of our work, please visit our website. www.normansizemore.com
Starting the day with a couple of film scans from 2004 of the Liverpool Legends. We photographed the band and Louise Harrison at Bruce Starrenburgs LightBox studio in East Dundee. The band was great fun to work with, and Louise kept us entertained with stories of the Fab Four in their younger years. We shot these compositions using our favorite Fuji Asitia 100F color reversal slide film, which we scanned using a Minolta DiMage 5400 dedicated film scanner. Lighting was by Photogenic Machine Studio Master II’s, through a Calumet 48” soft box as our main light and a Calumet 40” umbrella for a kick light. A 15” glamour light was positioned above to remove hard shadows. This image was captured using a Minolta XE-7. More to come from this session. To see more of our work, please visit our website. www.normansizemore.com
Closing out the night with a film frame of the Liverpool Legends from 2004 — I can’t believe this was shot 21 years ago. Wow.
The group worked hard that evening, and you’ll see in upcoming posts how they faithfully mimicked many of The Beatles’ famous poses. Their talent is remarkable; seeing them live felt about as close as one could reasonably get to the real thing. For this shoot they brought along Louise Harrison — yes, that Louise, George’s older sister — which made the session feel especially authentic.
Shot at Light Box Studios in East Dundee, the lighting setup relied on Photogenic Machine Studio Master II’s. I used a 48” Calumet softbox as the main light, a 40” umbrella as a kick, and a 15” overhead glamour light. Film was Fuji Astia 100F color reversal (slide) film, scanned on a Minolta DiMage 5400 dedicated film scanner. The camera was a Minolta XE-7 with a 50mm Rokkor 1.4 lens, exposed at f/5.6.
More from these shoots coming soon. To see more of our work, please visit our website. www.normansizemore.com
