Many don’t realize the effort, planning, and precision that go into a modeling shoot. This particular shoot took place on-site back in 2003. We set up a quick studio, complete with a seamless backdrop, utilizing one Paul C. Bluff 10,000cps mono light. The light was diffused through an octagon light box and bounced into a 48” golden reflector to achieve a soft, warm illumination.
Kelly’s makeup artist expertly managed the shoot, handling clothing changes and offering posing guidance. Kelly herself worked diligently, responding to follow-camera direction—a challenging task that requires both patience and skill.
For this shoot, we used a Minolta XE-7 camera loaded with Asia 100F color reversal slide film, which delivered rich and vibrant colors. The images were then scanned with a Minolta DiMage 5400, a dedicated film scanner known for its superb high-quality results.
Below are just a few selections from that memorable shoot.